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swingsetindecember:

urulokid:

oH YM GOD CONNOR MADE ME A GIF OF THAT GUY I WAS TALKING ABOUT

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LOOK AT HIM

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HE KNOWS SOMETHINGS UP MAN

THIS BROTHER AIN’T HERE FOR ALEXANDER PIERCE’S BULLSHIT

i am in desperate need of fic about this guy

(via sublimeglass)

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yamisora:

brain-food:

This is the greatest photoset I have ever seen. 

The song just went through my head gif by gif

(Source: brokenthimble, via sublimeglass)

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saucefactory:

somewhatbadasslol:

STORM, CAPTAIN MARVEL, WONDER WOMAN & SHE HULK by - http://rahzzah.deviantart.com/gallery/

Jesus fucking Christ. I’ve died and gone to heaven. Because this is clearly heaven.

(via sublimeglass)

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athenadark:

songofages:

schazam:


Elizabeth Báthory is one of the most prolific serial killers in all of history.
She was born into nobility and was highly educated but also very vain.
One day, infuriated, Elizabeth struck one of her servant girls so hard that some blood dripped from her face onto Elizabeth’s hand and she immediately thought that her skin took on a glowing freshness of her young maid.
Elizabeth believed she had found the secret of eternal youth. After this, women were abducted and hung upside down, while they were still alive and their throats were slit to prepare Elizabeth’s bath.
The Countess of Transylvania and four collaborators were accused of torturing and killing hundreds of girls, with one witness attributing to them over 650 victims, though the number for which they were convicted was 80. Elizabeth herself was neither tried nor convicted.

Can I just time in here and say a few things, since half of what is written here is straight from the wikipedia page, which don’t get me wrong —it’s accurate— but extremely underwhelming.
“Elizabeth” Erzebet Bathory was so much more than some vain bitch who killed over 650 women, she was a vain bitch who could speak and write more than two languages, in a time where a woman writing one was unheard of. She was raised mostly by her very infamous openly bisexual aunt, and was a torturer and a murderer before she was 14 (rumored).
This woman was the person who made the villagers quake in both fear and revelation, that the courts refused to take action against when young girls started dissapearing, when bodies started being found. She OWNED the country, her family was richer then even the Lords presiding over it, she had all the say.
Her and her ‘accomplices” (which by the way, they were extremely trusted, and unlike her, they were executed without mercy when the truth came out), would gather village children who their parents practically threw their way in hopes of a better future, although the children would never live again. She didn’t only hang them, she caged them, used iron maidens, spears, so many different objects. And the whole ‘bathing in blood’ thing, although is technically can be true, that and the whole striking her maid is all exagerrated to add to the story. Her and her husband got off to killing, literally, they liked the screams. If she bathed in blood, it wasn’t to be younger, it was to enjoy their life ending. Not to say she wasn’t vain, but for good reason. She was considered the most beautiful woman in Hungary for all of her days.
And she technically was tried, although as I said before she practically owned the country, they couldn’t actually kill her. But she had killed another young girl of noble blood, and that couldn’t just be set aside. So instead of execution, they sentenced her to house arrest for the rest of her days, unable to punish her for all the women she had killed.
Also, she had three children, and regardless of her murderous ways it was said that she had been a wonderful, loving mother. Strange how the ‘vain blood mistress’ can be more than just, isn’t it?
I could go on and on about this woman, I’ve read and watched basically everything pertaining to her due to reports and essays that I wrote when I was younger, and even though she was a horrifying murderer, she deserves a bit more than ‘blood bitch’.

It’s also interesting to note that one of her descendents feels so bad about what his ancestor did that he donates blood as often as humanly possible.

The actual transcripts of the crime were made available and it was only by the confessions of her handmaidens, extracted under torture, that they convicted her, despite the accusation there was no physical evidence, no supposed torture chamber, no cage lined with knives. Also barbarity at the time was not unusual for the higher nobility, when her husband found out that she had had an affair with the stable boy (she was 13) he had the man’s legs broken, and stitched into the belly of a recently slain horse to die.
However Bathory was a widow for most of her reign, and very powerful, in many ways much more powerful than the king, she was also very rich and refused to remarry. She was a political behemoth and increased her holdings greatly.
Her neighbour, whose name I can’t remember off hand, tried for several years to remove her through poltical means and to force her to step down for her young son but was stymied several times over. That was when the accusations started, and when the servants were tortured, in ways that even Bathory could not devise, she was  then tried in absentia and although there was no evidence, the confessions were accepted by her male neighbours who wanted to seize her land as part of her penance.
So although it’s possible, and not even unlikely she did kill lots of young women, and some of the tortures she was described as being fond of (hard pinching, pressing warm coins to their skin, and shock, gasp, having lesbian affairs with them) were normal at the time. It’s more interesting that a strong woman in politics was accused of murder, and even now they still haven’t found evidence like mass graves etc) 
serial killer or not she was undone by men after her power

athenadark:

songofages:

schazam:

Elizabeth Báthory is one of the most prolific serial killers in all of history.

She was born into nobility and was highly educated but also very vain.

One day, infuriated, Elizabeth struck one of her servant girls so hard that some blood dripped from her face onto Elizabeth’s hand and she immediately thought that her skin took on a glowing freshness of her young maid.

Elizabeth believed she had found the secret of eternal youth. After this, women were abducted and hung upside down, while they were still alive and their throats were slit to prepare Elizabeth’s bath.

The Countess of Transylvania and four collaborators were accused of torturing and killing hundreds of girls, with one witness attributing to them over 650 victims, though the number for which they were convicted was 80. Elizabeth herself was neither tried nor convicted.

Can I just time in here and say a few things, since half of what is written here is straight from the wikipedia page, which don’t get me wrong —it’s accurate— but extremely underwhelming.

“Elizabeth” Erzebet Bathory was so much more than some vain bitch who killed over 650 women, she was a vain bitch who could speak and write more than two languages, in a time where a woman writing one was unheard of. She was raised mostly by her very infamous openly bisexual aunt, and was a torturer and a murderer before she was 14 (rumored).

This woman was the person who made the villagers quake in both fear and revelation, that the courts refused to take action against when young girls started dissapearing, when bodies started being found. She OWNED the country, her family was richer then even the Lords presiding over it, she had all the say.

Her and her ‘accomplices” (which by the way, they were extremely trusted, and unlike her, they were executed without mercy when the truth came out), would gather village children who their parents practically threw their way in hopes of a better future, although the children would never live again. She didn’t only hang them, she caged them, used iron maidens, spears, so many different objects. And the whole ‘bathing in blood’ thing, although is technically can be true, that and the whole striking her maid is all exagerrated to add to the story. Her and her husband got off to killing, literally, they liked the screams. If she bathed in blood, it wasn’t to be younger, it was to enjoy their life ending. Not to say she wasn’t vain, but for good reason. She was considered the most beautiful woman in Hungary for all of her days.

And she technically was tried, although as I said before she practically owned the country, they couldn’t actually kill her. But she had killed another young girl of noble blood, and that couldn’t just be set aside. So instead of execution, they sentenced her to house arrest for the rest of her days, unable to punish her for all the women she had killed.

Also, she had three children, and regardless of her murderous ways it was said that she had been a wonderful, loving mother. Strange how the ‘vain blood mistress’ can be more than just, isn’t it?

I could go on and on about this woman, I’ve read and watched basically everything pertaining to her due to reports and essays that I wrote when I was younger, and even though she was a horrifying murderer, she deserves a bit more than ‘blood bitch’.

It’s also interesting to note that one of her descendents feels so bad about what his ancestor did that he donates blood as often as humanly possible.

The actual transcripts of the crime were made available and it was only by the confessions of her handmaidens, extracted under torture, that they convicted her, despite the accusation there was no physical evidence, no supposed torture chamber, no cage lined with knives. Also barbarity at the time was not unusual for the higher nobility, when her husband found out that she had had an affair with the stable boy (she was 13) he had the man’s legs broken, and stitched into the belly of a recently slain horse to die.

However Bathory was a widow for most of her reign, and very powerful, in many ways much more powerful than the king, she was also very rich and refused to remarry. She was a political behemoth and increased her holdings greatly.

Her neighbour, whose name I can’t remember off hand, tried for several years to remove her through poltical means and to force her to step down for her young son but was stymied several times over. That was when the accusations started, and when the servants were tortured, in ways that even Bathory could not devise, she was  then tried in absentia and although there was no evidence, the confessions were accepted by her male neighbours who wanted to seize her land as part of her penance.

So although it’s possible, and not even unlikely she did kill lots of young women, and some of the tortures she was described as being fond of (hard pinching, pressing warm coins to their skin, and shock, gasp, having lesbian affairs with them) were normal at the time. It’s more interesting that a strong woman in politics was accused of murder, and even now they still haven’t found evidence like mass graves etc) 

serial killer or not she was undone by men after her power

(via sublimeglass)

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obviouslystiles:

ohno-zombees:

flower-of-the-desert:

obviouslystiles:

calicokat-teenwolf:

obviouslystiles:

calicokat-teenwolf:

cupidsbower:

I’ve seen a few posts lately in which people have talked about how a scene that seemed good on the surface became something else when re-watching. Davis loves to do that — give scenes ironic double meanings once you look at them more closely.

For me, this is one of those scenes. It’s one of the key scenes of 3B, because this is the last time Stiles is Stiles until Nogi splits them in two. In hindsight, that fact is important.

On first viewing, this scene seems so full of heart — brothers there for each other. Look at the way they hold on to each other so damn tightly. It still gives me feels.

But on re-watching 3B, I noticed a really strong pattern. Every time Stiles is slighted by a person he loves, Nogi escalates in some way. So when the Sheriff disbelieves him about Barrow being at the school, for example, that’s the same ep we find out about the blackboard message.

I don’t know whether that means Stiles had some impact on Nogi’s arc, or whether it means that when the people he loves let him down it gave Nogi another chink to gain control. Either way, the pattern is there if you re-watch the season.

Right after this moment between Scott and Stiles in the hospital, Lydia screams, and Nogi takes Stiles over completely.

With that in mind, I watched this scene again, wondering what could have been a trigger in this moment, of all moments, that led into Stiles losing the fight.

And you know what? Scott never offers Stiles the bite. He never asks him to be pack. He doesn’t give Stiles a choice. He just says he’ll do something if he has to.

I know, I know it’s because Scott has internalised his hatred for being a werewolf and doesn’t think the bite is a gift. But nonetheless, if ever there was one, this is the moment to invite Stiles into his pack. And I hate to say it, but even Peter gave Stiles a choice about it when he made the offer of the bite.

When I watch this scene again, I see Stiles waiting, just wanting so much for Scott to ask. To love him enough to ask. Stiles has never hated werewolves, and I think Peter was right that a part of him wanted it, just not with Peter.

See the second-last gif? That’s him realising Scott isn’t going to do it.

So this is Stiles, waiting for Scott to ask. And Scott never does.

And that’s how Nogi gets in.

I’m generally instinctively resistant to…nowadays posts that I even remotely feel paint Scott poorly — I’m exhausted of reading negativity about him; I can see how Scott stanning becomes a thing — but I sat around on this one and I think you’re right here.

I don’t personally think it’s that he sees Scott won’t do it. The way I’m reading it is the resignation to total personally helplessness as the key thing.

Scott: Stiles, if you have it, we’ll do something.
Scott: I’ll do something.

'Doing something' versus 'doing nothing' are key phrases across the show. Scott didn't originally feel a need to do 'something' with his powers, Stiles is the one who planted the seed of Scott throwing himself into action whether he feels confident about his plan of action or not into Scott.

1x05:

Stiles: Do you have any idea what’s going on? Lydia is totally M.I.A., Jackson looks like he’s got a time bomb inserted into his face, another random guy’s dead, and you have to do something about it.
Scott: Like what?
Stiles:Something

1x06:

Scott: Yeah, but that was - I mean - Would you just stop? Please? What happened the other night, Stiles’ dad getting hurt, that was my fault. Ishould have been there to do something. I need you to teach me how to control this.
Derek: Look, I am what I am because of birth. You were bitten. Teaching someone who was bitten takes time. I don’t even know if I can teach you.

1x07:

Stiles: All right, we have to do something.
Scott: Like what?
Stiles: I don’t know. Kill it, hurt it, inflict mental anguish on it. Something.

And, yeah, I think that the “I’ll do something” brought back exactly where I feel like their friendship fell apart in “The Overlooked”, when Scott left with Deucalion with the intention of finding his mom and Stiles’ dad but left Stiles behind with a twist up on the series’ usual lines…

Scott: I don’t know what else to do.
Stiles: No, there’s g… Scott, there’s got to be something else, okay? We always… we always have aplan B.
Scott:Not this time.

.

I completely agree on the bit where Stiles’ feels left behind by Scott and powerless. The way I’m reading it atm nogitsune!Stiles has all the power Stiles wants but zero control because his friends aren’t…er, ‘holding him back from becoming a monster like Peter’. (Show is show’s own meta?) 

So, agreeing your instincts are spot on but also thinking this is the point where Scott becomes willing to risk biting someone to save them, which he’s able to do next season although it isn’t Stiles.

I actually understood this scene to be Scott deciding to give Stiles the bite if there were no other options to save him.

But as Cupid commented, he doesn’t offer Stiles the bite, he treats it like a last resort.  The way Scott suggests it basically makes it seem that he believes the bite is barely a better option than being dead.

It sucks because Stiles has never been prejudice against werewolves or supernaturals.  He appreciates them and even envies their abilities.  Actually, this is what Stiles wants to be!  He has always been comfortable with the existence of supernaturals and he jumped willingly into their world.  This is where he fits in, it’s exciting, and it feels right to belong among them.

Yet, the people that Stiles cares for the most, Scott and his father, reject the idea of the supernatural on first instinct.  Neither accept the existence easily into their lives, unlike Stiles.  Scott just wants to be a normal teenage boy and the Sheriff wants the same for Stiles.  Sheriff tries to separate Stiles from his own work as it is to maintain the illusion of Stiles being safe and ‘normal’.  And we all know how much Stiles struggles to keep his father happy.

Nonetheless, Stiles WANTS to be offered the bite from Scott, but Scott can’t even imagine WHY someone would want what he considers a curse.

And that’s just it, to Stiles the bite would never be a curse, it would mean acceptance into Scott’s pack and the bonds of brotherhood.  I can’t even imagine how let down Stiles must be in understanding that the only way Scott would ever offer him this bond is out of pity or threat.

So, as Stiles sees it, taking the bite would mean becoming something shameful in the eyes of those he loves.  All Stiles can imagine is how he would be judged after he was turned.  Something that he once considered to be a gift would be used to make him into a monster.  So while Stiles would still be alive, he would have to live the rest of his life in shame of what he had become.  This is what Scott is really offering him in this scene, this is what Stiles’ is feeling, and it breaks my heart.  Scott makes the decision because he loves Stiles and would rather give him this than to lose him, but in the end, Scott just REALLY doesn’t understand what Stiles wants and needs.

This just proves to Stiles that he can never truly be himself around the people he loves.  His father has punished him time and time again for getting involved with the supernatural.  He fears that being supernatural himself will be the final break in their relationship.  So he resigns himself.  He doesn’t take the bite and he doesn’t even suggest that he wants it.  (Because death has become the better option to the shame and terror of being supernatural? *cries…cries so hard*)

Nogi/Void take over then, and all the disastrous and monstrous things that Stiles fears he will do as a supernatural come true (his worst fears literally manifest themselves as a game to Void…he got to be powerful, but he became a monster in gaining it).  

Stiles recognizes that his possession awoke the spark within him.  Of course, this is why he had always been so drawn to the supernatural.  But now, more than ever, Stiles is struggling to suppress his spark and appear to be the normal kid his father wants him to be.

Stiles has struggled to remain firmly hidden inside his supernatural closet throughout all of season 4.

I hope that in Season 5 we see Derek help Stiles to embrace his spark and come out (both as a supernatural and bisexual). ;D

I also think that Stiles’ acceptance of his powers will help enlighten Scott whom I believe is still traveling down his dark path (though the end of s4 left that ambiguous.)

I wanna chime in and agree most strongly with:

It sucks because Stiles has never been prejudice against werewolves or supernaturals.  He appreciates them and even envies their abilities.  Actually, this is what Stiles wants to be!  He has always been comfortable with the existence of supernaturals and he jumped willingly into their world.  This is where he fits in, it’s exciting, and it feels right to belong among them.

I do still feel like this is a giant pivotal moment where Scott begins his journey to “a werewolf, like me” and his willingness to give the bite to anybody at all — a 180 on his former prejudice. 

The big thing for me at the end of 3B is Stiles unites the pack. Stiles proves to Scott (and Derek) that he is 100% capable of going toe to toe with the supernatural. And, he deals Scott a Plan B that Scott has to accept on the blind faith he will not, in fact, be torn apart at the same time he opens his body up to being torn apart.

And then there’s still the Sheriff. The Sheriff and specifically this shot:

…both showing him at the center of all the strings and asking the audience to ask why.

Personally, right now, my answer is that faithlessness and bias. When I’m not sure if Scott and Stiles have anything left to break or mend rather than occasionally talk out, I’m partly thinking it’s because the stage is going to open on the unresolved tensions between Stiles and his father.

Schism that there is, Scott’s in the room with Stiles, embracing him. The Sheriff is totally outside. Even when Stiles embraces him in “Echo House” — to reassure his father, not the other way around — we see the Sheriff left and the end of a long hallway after thoroughly resisting Stiles’ decision to be committed. 

Ahh, very good visuals on the schism between Stiles and his father.  (Which just makes me cry all the tears.)  There is no doubt that Sheriff loves Stiles, but he still doesn’t understand him at all.  He doesn’t really listen.

I think Sheriff knows he’s falling short, but he just can’t figure out why or how to change.  He’s still falling back on old methods to handle new (supernatural) situations.  He’s not adapting - at least not enough. (Laughably, trying to handle Scott’s kidnapping by involving the police and keeping Stiles out of trouble.) 

Sheriff doesn’t seem to mind letting other supernaturals get involved assuming they are more capable to handle their own ‘kind’. Hence, Sheriff consulting with Derek and Lydia. But he still refuses (or disagrees with) Stiles’ participation, wanting to separate Stiles from the supernatural. Sheriff is pretending to himself that Stiles is normal and needs protection, while also treating Stiles like a child unprepared for the ‘real world’ - none of these assumptions are true. This reveals both his bias and his faithlessness.

Something needs to happen to trigger both Stiles’ coming out and Sheriff’s full understanding/acceptance of it.

Stiles still fears that he is killing his father with his connection to the supernatural.  Similar to whatever makes him believe he is responsible for his mother’s death.  I’m wondering if Stiles needs to acknowledge that he didn’t kill his mother to gain closure before coming out?

Or maybe that realization will be for Sheriff after finding out that Claudia was supernatural too?  Hmm.

Either way, I think Claudia will be the link that mends the schism between father and son.  The same way she was important when Stiles first told Sheriff about the supernatural: 

Stiles: Yeah, and another teacher’s going to die if you don’t start listening to me.

Sheriff: I am listening! I have been listening!

Stiles: You just don’t believe. Mom would’ve believed me.

Yeah, this has always been their problem. Sheriff is willfully ignorant to both Stiles’ bisexuality and his supernatural side.  Claudia can help open his eyes.  She helped the first time. I can see it happening again, and I like it!

_______

Now, about Scott.  I’m unsure that Scott has actually made the 180 on how he views the bite, that you suggest.  Maybe just a single right turn instead?

Scott bit Liam because of immediate threat.  He did make that decision at least, which shows some growth that he might begin to make the kind of decisions that are necessary to save lives and understand that sacrifices must be made.  But he’s still being reactive not active.

Scott also did not apologize for giving Liam the bite without consent.  Now, is that because Scott is deflecting responsibility because he had no other choice and through some transitive property this is all really Peter’s fault anyway?  As in Scott never asked for any of this and he feels like a ‘victim’ too…

Or, is it because Scott is beginning to realize that these are the types of decisions Alphas have to make and he has to trust that he made the right move?  Maybeee. Though, I’m less convinced he understands this yet - but it could be foreshadowing that one day he will.

Scott fumbles with decision making all season.  We still see him believing that he can ‘save everyone - nobody else dies’ plus his thinking that life can exist without struggles:  

Melissa: Scott, you can save people’s lives.  But you cannot save them from life.  Life is full of struggle.

Scott: But it doesn’t have to be.

He clearly isn’t willing to make active sacrifices yet, and he is still passively blaming his wolf for the struggles.

On top of that, when Scott initially tells Liam that he isn’t a monster, he’s a ‘werewolf, like me’ - I think he is 1) saying it more for himself than for Liam and 2) he isn’t entirely convinced or convincing.

This is supported by Scott’s trip through bardo when his fangs are growing and Liam suggests that he is ‘growing up’ but Scott counters that he is ‘becoming more of a monster’ instead. 

Scott is afraid of growing up.  He is afraid of the responsibility that comes with making difficult life choices. He is afraid of making sacrifices and having to accept fault without using his wolf as a scapegoat. 

I haven’t really decided yet if Liam’s reiteration of the ‘werewolf, like me’ statement actually caused a break through for Scott or if that was just more ‘smoke’.  I say that because I don’t really think we got an example of Scott growing up in the finale.  He didn’t make a sacrifice, accept responsibility, or make an active decision about anything moving forward.  Though Peter was certainly encouraging Scott to do all of these things…

I have doubt about all of this as well. Scott has shown no acceptance of the wolf or who he has become at any point during the time before the finale and then out of nowhere Liam says you’re not a monster and whoopy, it works? Suddenly Scott goes omg, Liam you are so right, thanks, buddy!? I don’t buy it. I think perhaps it has to do with guilt (though admittedly yet another thing Scott’s not very good at). Because he killed Liam in his dream (quite happily too) and no matter how much or how little he cares for the kid, Scott’s gotta feel some guilt over it (at least I hope he does) so I’m wondering if it wasn’t what Liam said but the fact that it WAS Liam that broke through the berserker thing. Because dreaming about killing a 15-year-old is one thing and Scott can probably brush it off like it was justa  dream, I was almost dead, etc but to be about to do it for real? That’s different. So that’s my theory right now but I’ll wait to see how Scott handles his wolf in s05 to decide if Liam’s words had an effect on him or not.

Wait wait wait okay.

I had a thought. The line about

"Stiles: You just don’t believe. Mom would’ve believed me."

I recently made a comment that Stiles has an uncanny ability to sense true intentions. He dislikes Jennifer, Harris and Deaton and probably wouldn’t piss on Kate to put out a fire if you paid him in gold.

He’s the Chaotic Good character here, honestly dishonest, but his instincts are impeccable.

But a lot of that is belief. He believes they’re evil, and so, indeed, they are. He believes the mountain ash will stretch, and so, in fact, it does.

So it’s interesting to me that, with the very few direct mentions to Claudia we see, /belief/ is a critical point.

Stiles: Mom would’ve believed me.

Compare that to the Sheriff who straight up says he hasn’t trusted Stiles since he learned to speak.

It sounds like a clue. The fact that Stiles then seems to have a predisposition for the same degenerative neurological condition that Claudia died from (and I suspect there is a predisposition and the Nogitsune only emphasized, not made it out of whole cloth) and that we know that Claudia told Stiles to “take care of your father” as her last words?

And that Stiles was alone with her as she died?

Is it possible that whatever gift Claudia had, she gave to Stiles on her deathbed? I know that’s practically a foregone conclusion at this point, but it’s just so curious. Davis writes murder mysteries as a day job, and twisty cerebral ones at that. I wonder if perhaps this is another throwback?
What if Claudia’s “take care of your father” was less general (as Stiles, not knowing any better, has interpreted it), and more about a specific incident?

I also like the idea of Claudia Stilinski and Talia Hale having been associates, but that might be reaching.

Not reaching in the slightest! A lot of metas entertain the same ideas and theories. You are spot on!

Stiles is something. Belief is a major part of that. Claudia was something too.

She was possibly a guardian/protector of the town along with Talia. There are roots between them… and that might be literal considering the nemeton and its part.

If you haven’t explored the teen wolf meta tag yet, you should give it a go! You might find that you fit right in!

(Source: teen-wolf, via sublimeglass)

Photo
tacolol:

totallynotmisha:

2002bape:

YOOOO SO LOOK DA FIRST TIME I EVER GOT ON DIS RIDE I WAS WITH A WHITE FAMILY AND U KNOW WHITE FOLKS CRAZY SO DEY DONT FEAR ROLLER COASTERS OR DEATH IN GENERAL. AFTER ABOUT 10 MINUTES OF TELLIN DEM DAT I DIDNT WANNA GET ON I FINALLY SAID YES CUZ I AINT NEVER BEEN NO BITCH AND I DIDNT PLAN ON STARTING THAT DAY. WHEN DA ENGINEER SAID “PLS LEAN BACK AND KEEP THE BACK OF UR HEAD PRESSED AGAINST YOUR SEAT” AND I SAW EVERYBODY STICK DA BACK OF THEIR HEADS TO THE CHAIR I KNEW DAT I MADE DA WORST DECISION OF MY LIFE CUZ I EVEN SAW SOME BLACK FOLKS LISTEN AND U KNOW DAT WHEN BLACK PEOPLE LISTEN A WHITE LADY’S ADVICE , ITS DA REAL DEAL. SO MY FIRST MISTAKE WAS REFUSING TO PRESS MY HEAD AGAINST THE SEAT… THE RIDE TAKES OFF AND MY DOME SLAMS AGAINST THE CHAIR WHILE MY NECK SNAPPED… UNCONSCIOUS INSTANTLY.. WHEN I AWOKE FROM MY 3 SECOND SLUMBER WE HAD REACHED DA VERY TOP OF THE RIDE WHERE THE RIDE MAKES A QUICK PAUSE… WHEN THE RIDE MADE THAT PAUSE I OPENED MY EYES CAUSE I THOUGHT THE RIDE WAS OVER AND WE ALL MADE IT SAFELY. BOY WAS I WRONG… I OPENED MY EYES AND DA ONLY THING I SAW WAS A 300 FOOT DROP STRAIGHT TO DA GROUND SO I SAID “GOD YOU CANT LET ME DIE LIKE DIS”. I THINK I SUFFERED A HEART CONTUSION CUZ MY HEART JUST COMPLETELY STOPPED BEATING… AND THAN THE RIDE TAKES OFF AGAIN… WE MAKE THE 300 FOOT DROP AND I SCREAM MY LUNGS OUT AS IM SCARED TO DEATH BECAUSE DA ONLY TIME A HUMAN SHOULD BE DAT HIGH IN DA AIR IS WHEN THEIR SPIRIT IS BEING SUCKED INTO HEAVEN BY DA GRACE OF GOD.. SO WE SAFELY MAKE IT TO DA END OF DA RIDE AND WHEN WE GET OFF I STUMBLE OUT OF THE SEAT CUZ MY LEGS WENT NUMB AND ALL THE AIR WAS SUCKED OUT OF MY BODY SO I COULDNT TALK EITHER.. DA FIRST THING THESE CRAZY MOTHERFUCKERS TELL ME IS “HEY MAN LETS DO THAT AGAIN THAT WAS WICKED”. I LOOKED AT DEM AND I REALIZED DAT DIS WHITE KID DAT I BEFRIENDED WAS ACTUALLY SATAN. I NO LONGER HAVE ANY WHITE FRIENDS.

please read this whole thing.


the caption makes this post

tacolol:

totallynotmisha:

2002bape:

YOOOO SO LOOK DA FIRST TIME I EVER GOT ON DIS RIDE I WAS WITH A WHITE FAMILY AND U KNOW WHITE FOLKS CRAZY SO DEY DONT FEAR ROLLER COASTERS OR DEATH IN GENERAL. AFTER ABOUT 10 MINUTES OF TELLIN DEM DAT I DIDNT WANNA GET ON I FINALLY SAID YES CUZ I AINT NEVER BEEN NO BITCH AND I DIDNT PLAN ON STARTING THAT DAY. WHEN DA ENGINEER SAID “PLS LEAN BACK AND KEEP THE BACK OF UR HEAD PRESSED AGAINST YOUR SEAT” AND I SAW EVERYBODY STICK DA BACK OF THEIR HEADS TO THE CHAIR I KNEW DAT I MADE DA WORST DECISION OF MY LIFE CUZ I EVEN SAW SOME BLACK FOLKS LISTEN AND U KNOW DAT WHEN BLACK PEOPLE LISTEN A WHITE LADY’S ADVICE , ITS DA REAL DEAL. SO MY FIRST MISTAKE WAS REFUSING TO PRESS MY HEAD AGAINST THE SEAT… THE RIDE TAKES OFF AND MY DOME SLAMS AGAINST THE CHAIR WHILE MY NECK SNAPPED… UNCONSCIOUS INSTANTLY.. WHEN I AWOKE FROM MY 3 SECOND SLUMBER WE HAD REACHED DA VERY TOP OF THE RIDE WHERE THE RIDE MAKES A QUICK PAUSE… WHEN THE RIDE MADE THAT PAUSE I OPENED MY EYES CAUSE I THOUGHT THE RIDE WAS OVER AND WE ALL MADE IT SAFELY. BOY WAS I WRONG… I OPENED MY EYES AND DA ONLY THING I SAW WAS A 300 FOOT DROP STRAIGHT TO DA GROUND SO I SAID “GOD YOU CANT LET ME DIE LIKE DIS”. I THINK I SUFFERED A HEART CONTUSION CUZ MY HEART JUST COMPLETELY STOPPED BEATING… AND THAN THE RIDE TAKES OFF AGAIN… WE MAKE THE 300 FOOT DROP AND I SCREAM MY LUNGS OUT AS IM SCARED TO DEATH BECAUSE DA ONLY TIME A HUMAN SHOULD BE DAT HIGH IN DA AIR IS WHEN THEIR SPIRIT IS BEING SUCKED INTO HEAVEN BY DA GRACE OF GOD.. SO WE SAFELY MAKE IT TO DA END OF DA RIDE AND WHEN WE GET OFF I STUMBLE OUT OF THE SEAT CUZ MY LEGS WENT NUMB AND ALL THE AIR WAS SUCKED OUT OF MY BODY SO I COULDNT TALK EITHER.. DA FIRST THING THESE CRAZY MOTHERFUCKERS TELL ME IS “HEY MAN LETS DO THAT AGAIN THAT WAS WICKED”. I LOOKED AT DEM AND I REALIZED DAT DIS WHITE KID DAT I BEFRIENDED WAS ACTUALLY SATAN. I NO LONGER HAVE ANY WHITE FRIENDS.

please read this whole thing.

the caption makes this post

(Source: cali-cocaine, via sublimeglass)

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ultrafacts:

Source For more facts, follow Ultrafacts

(via sublimeglass)

Link

dehaans:

The other reason for introducing Wilson so early in the film was that they wanted him to appear before any conspiracy elements started showing up, helping to show the character as trustworthy, allowing Rogers to seek his help in the middle of the movie.”

There were debates…

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annethecatdetective:

burning-high-rise:

whorishgreen:

whorishgreen:

I’ve never been more emotional about any social media post in my entire life

UPDATE: guys Beth Broderick tweeted yesterday that this Salem is THE SAME SALEM!!! He’s 20 years old man!!!! 20!

That Salem is still kicking is all I care about.

(via sublimeglass)

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rooooosssiiiieee-gaaaamgggeeee:

leggy-and-thrandy:

beggars-opera:

leggy-and-thrandy:

so in tech my teacher had this older copy of the hobbit and IM SCREAMING THE COVER

Oh my god it goes along with the romance novel cover of two towers


this post got so popular oh my god

Legolas looks like a home economics teacher circa 1978

rooooosssiiiieee-gaaaamgggeeee:

leggy-and-thrandy:

beggars-opera:

leggy-and-thrandy:

so in tech my teacher had this older copy of the hobbit and IM SCREAMING THE COVER

Oh my god it goes along with the romance novel cover of two towers

image

this post got so popular oh my god

Legolas looks like a home economics teacher circa 1978

(via sublimeglass)

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enderoid:

rottenfrown:

hauntedmarch:

corgisandboobs:

"No no, stop. Go owl somewhere else."

Looks like two witches familiars arguing about something




Mr owl and lydon

enderoid:

rottenfrown:

hauntedmarch:

corgisandboobs:

"No no, stop. Go owl somewhere else."

Looks like two witches familiars arguing about something

image

image

Mr owl and lydon

(Source: owls-only, via sublimeglass)

Link

swanjolras:

like tbh i feel like my problem with the “dark and gritty!!” trend in modern stories is this

there’s this idea in our culture that cynicism is realistic? that only children believe in happy endings, that people are ultimately selfish and greedy and seeing with clear eyes means…

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lance-the-kanto-dragon-master:

mishawinsexster:

JK drops a truth bomb

THIS IS EXACTLY WHAT I HAVE BEEN TELLING PEOPLE FOREVER BUT NOBODY BLOODY LISTENS

(via sublimeglass)

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"The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense"

Chris HedgesEmpire of Illusion: The End of Literacy and the Triumph of Spectacle (via 22-16)

(Source: nyctaeus, via sublimeglass)